Croatia
Croatian history's permanent instability shaped the built and programmatic structures of its cities. Recent events related to independence, a new political system, and the free market have changed how urban areas are used or comprehended, rather than the actual shapes of cities. Dubrovnik, Split, and Rijeka are major coastal cities that derive their identities from historical genesis, iconic urban image, and localized economic assets. The exhibition will analyze their harbors' different characters and dynamics to detect and interpret the current functional and morphological fluxes of traits in these cities, which are trying to adjust to a new reality.
Supermarket sweep… the Latvian pavilion which has been transformed into a minimart.
This contribution brings a little levity to the long trek through the halls of the Arsenale.
Choice as the basis of architectural process, the pop aesthetics emphasizing the languages of consumption as in Hamilton or Warhol: everything is structured by the dynamics of commerce.
Presented as a supermarket, its "products" feature the text from every national biennale exhibit from the last decade, boiled down to its essence through Al. It sticks a pin into the whole ball of hot air. Thank you for that.
Funny thing about designing one liners is they aren't good unless you follow them to the utter end with utmost seriousness lol. That's why I loved the Latvian pavilion this year!
Welcome to T/C Latvija, surely the most instagrammed installation of this edition of the Biennale
Latvia is reopening the archive boxes once again, reminding us (including the Biennial Presidency) of everything that has already been thought up and invented, and inviting us to place the most urgently needed products in the basket, to combine them with one another, and ultimately consume all the knowledge.
Fun, colourful and thought-provoking, it offers a tongue-in-cheek moment to the Arsenale sequence...